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CHANGE SETTINGS ON PRINTER FOR MAC FREE
If you use only one of these computers, feel free to skip over to that section unless you have a burning curiosity about how the other half lives.
CHANGE SETTINGS ON PRINTER FOR MAC HOW TO
Going beyond that does require some effort on your part, and later in this chapter I'll show you how to create your own printer profiles for use with special lighting conditions, or new paper types that aren't supported by the manufacturer.īecause Macs and Windows systems handle printing so differently, I've broken their printer settings into two separate sections. It's all sounding pretty complicated, isn't it? The good news is that once you know the major pieces of printer color management, it becomes a simple matter to select the right settings and get the results you want.
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It's common for manufacturers to provide profiles for the various print modes, such as Normal and Best, because these modes use different densities of ink. The same photograph printed on a luster finish paper will look very different under daylight conditions than it will under tungsten or fluorescent lighting.ĭepending on the model printer you have, multiple versions of the same paper profile may be available too. And, to take it one step further, for the best results, each paper should have a different profile for each lighting condition it will be displayed in. Your monitor only needs one profile to be accurate but because of the way ink is absorbed and reflected on paper, printers need a different profile for each and every paper that you print on. In Chapter 3, "Keeping an Eye on Color," I talked about how monitor profiles interact with printer profiles to create the closest match possible, sort of like using an English-to-Spanish translation dictionary. As you can see, the two approaches are very different when you mix all the RGB colors they become white, but mixing all CMYK colors produces black. See why this conversion process is so complicated? Not only does your printer need to know how to make a particular shade of, say, green, it usually needs to know how to make that green with no green ink!įigure 4.1 Monitors work with colors in the RGB model, but printers typically work in the CMYK model. That's right none of the printer colors are the same as your monitor colors. Your printer, on the other hand, uses at least four colors: cyan, magenta, yellow, and black.
Consider this-your monitor uses only three colors to create the image on your screen: red, green, and blue. Not only is the light source completely different, but the method of creating the color is too ( Figure 4.1). After all, you're going from a completely different medium-pixels on your screen lit by an electric charge-to ink on a page viewed by light reflecting off the paper. The printing process is perhaps one of the most complicated steps of the digital workflow. It might use more shades of CMYK, or in some cases, add additional ink colors like red and green to create more accurate tones. Even if your printer uses six, seven, eight, or nine colors, it's still a CMYK printer. Although most printers are CMYK (cyan, magenta, yellow, black), they expect to have RGB (red, green, blue) data sent to them.
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